|McMichael Canadian Art Collection
The McMichael Canadian Art Collection offers its visitors a unique experience. From the art on its walls to the surrounding landscape, the McMichael provides an introduction to Canada’s art, art making and artists.
Renowned for collecting only Canadian art, the McMichael permanent collection consists of almost 6,000 artworks by Tom Thomson, the Group of Seven, their contemporaries, and First Nations, Métis, Inuit and other artists who have made a contribution to the development of Canadian art.
The gallery welcomes on average 100,000 visitors annually. On average, 30,000 students and educators from more than 40 school boards and private schools visit the McMichael during the school year. In addition, the McMichael welcomes adults, families, and youth to programs and activities from lecture and film series to studio classes and summer art camps.
Designed in a modernist idiom, and built of fieldstone and hand-hewn logs, the McMichael houses thirteen exhibition galleries where floor-to-ceiling windows enable visitors to enjoy views of the densely wooded Humber River Valley. Beyond the galleries the McMichael provides 100 acres of forested land, from a ridgetop ‘wilderness garden,’ planted by the McMichaels to echo the northern forest beloved of the Group of Seven, to the heritage waterway important to Aboriginal peoples.
Through a network of outdoor paths and hiking trails, visitors can explore the newly installed Sculpture Garden as well as the unique McMichael Cemetery where six Group of Seven members and gallery founders Robert and Signe McMichael have been laid to rest.
The McMichael displays a wide range of exhibitions each year, curated from the collections or borrowed from other major institutions. The McMichael is a Category A gallery, and adheres to the highest standards of environmental and security norms for the protection of the works of art on display.
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|Canada & Impressionism
Canada and Impressionism is a two-prong exhibition of work by Canadian artist Suzor-Coté combined with Canadian Impressionism works to give context and placement to this artists work, is planned for the summer months of 2003. This is the second and final stop for the exhibition.